s.s.t.m.b



reducto1art:

Finished doodling and I am going out for the protest again
Fight for DEMOCRACY!

reducto1art:

Finished doodling and I am going out for the protest again

Fight for DEMOCRACY!

posted 5 hours ago via reducto1 · © reducto1art with 48 notes


fuckyesdeadpool:

lowkey-demigod:

It wasn’t until I got a tumblr that I realized how important spideypool was…

image


dogsihavepet:

Angie is a therapy dog who comes into the library and lets kids read to her so that kids who are struggling with reading can gain confidence. Every time I’ve seen her in the library she’s always wagging her tail for the kids and is very attentive.

dogsihavepet:

Angie is a therapy dog who comes into the library and lets kids read to her so that kids who are struggling with reading can gain confidence. Every time I’ve seen her in the library she’s always wagging her tail for the kids and is very attentive.


exhibition-ism:

Dan Tobin Smith's sweeping color gradient installation in his London studio is a sight behold 


hatta-hare:

some-newtype-bullshit:

EVERY PART OF THIS IS WRONG

WHAT?


daisyvalley:

thefinalhidingplace:

tyleroakley:

DOGS ARE SUCH GLORIOUS CREATURES.

Yes

I love dogs so much oh my god


ursulavernon:

asylum-art:

Kris Kuksi Art

Facebook / on artnet

Born March 2, 1973, in Springfield Missouri and growing up in neighboring Kansas, Kris Kuksi spent his youth in rural seclusion and isolation along with a blue-collar, working mother, two significantly older brothers, and an absent father. Open country, sparse trees, and alcoholic stepfather, all paving the way for an individual saturated in imagination and introversion. His propensity for the unusual has been a constant since childhood, a lifelong fascination that lent itself to his macabre art later in life. The grotesque to him, as it seemed, was beautiful.

“A post-industrial Rococo master, Kris Kuksi obsessively arranges characters and architecture in asymmetric compositions with an exquisite sense of drama. Instead of stones and shells he uses screaming plastic soldiers, miniature engine blocks, towering spires and assorted debris to form his landscapes. The political, spiritual and material conflict within these shrines is enacted under the calm gaze of remote deities and august statuary. Kuksi manages to evoke, at once, a sanctum and a mausoleum for our suffocated spirit.” ~Guillermo del Toro

via I need a guide

Hoooooly mackerel.